In part one of the interview on my blog I posted yesterday, I mentioned how my mother supported me to pursue my interest in art in my early years. I'm forever grateful to her. This is a portrait that I did for her in Hong Kong and below is an introduction of the painting and my mother in an oil painting collection to be published in China in the near future.
***
Mother 75x47cm 1982 Hong Kong
母親 75X47CM 1982 香港
In 1960, during my second year at the Affiliated High School of the Guangzhou Academy of Fine Arts while I was home for the winter break, I made an oil painting of my mother. That painting was unfortunately lost during the Cultural Revolution. After my graduation, I was assigned to Zhaoqing City in Guangdong Province, which was very far away from my hometown in Hunan. I only received 12 days a year for family leave including the travel time, so my trips home to Hunan were always rushed affairs with little time for painting. It was not until the 1980s that my mother, siblings, and I were all finally reunited one by one in Hong Kong. By that time, my mother was 72 years old. Two years later, we moved to slightly larger rental accommodations and I found time to paint this portrait of my mother.
1960年冬,我正在廣州美術學院附中二年級的寒假吧,趁假回家時為母親畫過一幅油畫像,可惜文革中丟失了。畢業後工作分配在廣東省的肇慶市,離湖南老家太遠,每年探親假連路程也才12天,因而,回湖南探親都是行色匆匆,少有時間作畫。直到1980年,母親與我們兄弟姊妹先後抵港,重新團聚。此時母親已高齡72歲了。再過兩年,我們搬租到稍大的房子,我才抽空為母親作了這幅畫像。
After I came to Taiwan, I happened to mention the tragedy of my parents caused by the cross-strait standoff to Mr. Liu Shaotang, the president of Bibliographies Publishing. Liu expressed his sympathies as well as his admiration for my mother because she managed to raise us all by herself despite everything that she went through.
我到台灣後,有一次與「傳記文學」社長劉紹唐先生談起父母在這海峽兩岸對峙中的悲慘遭遇時他深表同情與感嘆。並直說你母親真是了不起,經歷那麼多苦難,獨力將你們撫養大,真是很偉大。
My mother was born in Taoyuan County, Hunan. She attended the Zhounan Women's School in Changsha and, to escape from an arranged marriage, fled to Shanghai where she enrolled in the Daxia University. After that, she married, had children, and suffered through China's modern history. It was not until the mid-1980s that she was finally able to travel to Taiwan to sweep my father's tomb. When she passed away in 1994, we fulfilled her final wish by laying her to rest alongside my father.
母親,湖南桃源縣人,早年去長沙念「周南女校」,之後為逃婚獨赴上海唸「大夏大學」,結婚、生子,經歷中國現代史中一切苦厄。直到八十年代中才得以到台灣為父親掃墓。1994年,她老仙逝,我們將她與父親合葬,完成她老最後的願望。
My mother was a good and honest woman filled with compassion. She often taught her children that "integrity is the foundation of personal character." She was well-versed in ancient literature and wrote with a neat, beautiful hand. She frequently reminded me of the need to re-read my letters to ensure that they were "fluent and made sense", and to use well-accepted phrases rather than making up unfamiliar terms. How I miss her!
母親善良、誠實,富于同情心,經常教育子女:忠厚為人之本。她古文好,字端正、秀麗。常告誡我寫信要複讀一遍,要『文從字順』。遣詞造句不要自己生造,要約定從俗……啊,我的母親。
同時也有1部Youtube影片,追蹤數超過11萬的網紅吉娜英文,也在其Youtube影片中提到,加入吉娜英文FB 粉絲頁 學習更多道地美式口語英文 https://www.facebook.com/wordsgo/ ------------------------------ 我是Gina,我來自台灣,我是一位英文老師,我喜歡學習英文和教英文。我的職業生涯大部分都在教授文法,但是當我真正想...
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not at all造句 在 Yim Mau-Kun Studio 冉茂芹畫室 Facebook 的最讚貼文
In part one of the interview on my blog I posted yesterday, I mentioned how my mother supported me to pursue my interest in art in my early years. I'm forever grateful to her. This is a portrait that I did for her in Hong Kong and below is an introduction of the painting and my mother in an oil painting collection to be published in China in the near future.
***
Mother 75x47cm 1982 Hong Kong
母親 75X47CM 1982 香港
In 1960, during my second year at the Affiliated High School of the Guangzhou Academy of Fine Arts while I was home for the winter break, I made an oil painting of my mother. That painting was unfortunately lost during the Cultural Revolution. After my graduation, I was assigned to Zhaoqing City in Guangdong Province, which was very far away from my hometown in Hunan. I only received 12 days a year for family leave including the travel time, so my trips home to Hunan were always rushed affairs with little time for painting. It was not until the 1980s that my mother, siblings, and I were all finally reunited one by one in Hong Kong. By that time, my mother was 72 years old. Two years later, we moved to slightly larger rental accommodations and I found time to paint this portrait of my mother.
1960年冬,我正在廣州美術學院附中二年級的寒假吧,趁假回家時為母親畫過一幅油畫像,可惜文革中丟失了。畢業後工作分配在廣東省的肇慶市,離湖南老家太遠,每年探親假連路程也才12天,因而,回湖南探親都是行色匆匆,少有時間作畫。直到1980年,母親與我們兄弟姊妹先後抵港,重新團聚。此時母親已高齡72歲了。再過兩年,我們搬租到稍大的房子,我才抽空為母親作了這幅畫像。
After I came to Taiwan, I happened to mention the tragedy of my parents caused by the cross-strait standoff to Mr. Liu Shaotang, the president of Bibliographies Publishing. Liu expressed his sympathies as well as his admiration for my mother because she managed to raise us all by herself despite everything that she went through.
我到台灣後,有一次與「傳記文學」社長劉紹唐先生談起父母在這海峽兩岸對峙中的悲慘遭遇時他深表同情與感嘆。並直說你母親真是了不起,經歷那麼多苦難,獨力將你們撫養大,真是很偉大。
My mother was born in Taoyuan County, Hunan. She attended the Zhounan Women's School in Changsha and, to escape from an arranged marriage, fled to Shanghai where she enrolled in the Daxia University. After that, she married, had children, and suffered through China's modern history. It was not until the mid-1980s that she was finally able to travel to Taiwan to sweep my father's tomb. When she passed away in 1994, we fulfilled her final wish by laying her to rest alongside my father.
母親,湖南桃源縣人,早年去長沙念「周南女校」,之後為逃婚獨赴上海唸「大夏大學」,結婚、生子,經歷中國現代史中一切苦厄。直到八十年代中才得以到台灣為父親掃墓。1994年,她老仙逝,我們將她與父親合葬,完成她老最後的願望。
My mother was a good and honest woman filled with compassion. She often taught her children that "integrity is the foundation of personal character." She was well-versed in ancient literature and wrote with a neat, beautiful hand. She frequently reminded me of the need to re-read my letters to ensure that they were "fluent and made sense", and to use well-accepted phrases rather than making up unfamiliar terms. How I miss her!
母親善良、誠實,富于同情心,經常教育子女:忠厚為人之本。她古文好,字端正、秀麗。常告誡我寫信要複讀一遍,要『文從字順』。遣詞造句不要自己生造,要約定從俗……啊,我的母親。
not at all造句 在 馬米高 MMG English Channel Facebook 的精選貼文
有好多網友inbox問我Present Perfect Tense (現在完成式)同Simple Present Tense (簡單現在式)既問題,我講多少少:
Present Perfect Tense 現在完成式
呢個Tense 用於由以前發生,但冇指明特定時間(i.e. yesterday, last week...),又對現在有關連既事。例如 「I have had everything (all these accomplishments). 我已經擁有一切(成就)」。呢度Have係auxiliary verb(助動詞);had係main verb(主動詞),以past participle(過去分詞)形式出現。係呢一句Present Perfect Tense帶出「已經擁有」呢個時間性。Already呢個adverb(副詞)可以配合使用於Present Perfect Tense,強調「某事比另一件事早發生」,例如「 I would not need to be more successful when I have already had everything. 當我早就擁有一切,我唔需要更成功。」
Simple Present Tense 簡單現在式
一般用於陳述事實、表達概念。例如 「I have everything. 我擁有一切。」Have 就係main verb。Already 亦可以用喺Simple Present Tense,喺度表達「有野比起預期早左發生」,或者「一啲發生左但係你預期之外嘅事」。例如「 I already have everything. 我擁有一切(感覺早左或者意料之外)」。
另外一個問題:用左Present Perfect Tense仲可以加”at this moment”?
我嘅答案係翻譯時要睇當事人想表達嘅原意。我想保留當事人想強調嘅意思,以及我想帶出”This instant”同”At this moment”既分別。雖然中文嘅譯法大家都係叫「而家」,但係意思有少少分別。”This instant”通常配合Imperatives(命令式動詞)使用,好似我片中例子:「Shut up this instant!而家(即刻)收聲!」呢個「而家」帶有「即刻去做某件事」嘅意思;At this moment 既而家就淨係「而家」,當刻嘅意思。基於上述原因,最後我決定加個逗號隔一隔帶有Present Perfect Tense既句子,加”at this moment”喺最後。
PS: 我完全理解口語英文變化好多,我自己講英文嘅時候都會犯正統文法上嘅錯誤。我當初分享英文片段,就係想借生活化嘅題材,以不同嘅表達方式去引起大家興趣,因為解釋英文嘅時候,contextualization 將語言運用搬到去生活上既情景,對理解語言有好大幫助。香港嘅學習英文模式就係缺乏真實嘅context情景去應用同理解,學生學grammar只係機械式不斷造句,睇passage只係睇textbooks作出黎既文章,一嚟欠缺真實性,二嚟邊個會有興趣睇?我希望每一次嘅討論都可以令你有動力去查下、去了解英文嘅運用,甚至問下身邊既人:「應該點講?」。Thank you.
not at all造句 在 吉娜英文 Youtube 的精選貼文
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https://www.facebook.com/wordsgo/
------------------------------
我是Gina,我來自台灣,我是一位英文老師,我喜歡學習英文和教英文。我的職業生涯大部分都在教授文法,但是當我真正想要說英文時,問題來了,我不太能自然表達自己。我開始改變自己的教學和學習目標,我想說英文,這時我才知道文法閱讀與聽說可是很大的不同。我發現口說卡住的是自然造句的能力以及口語發音。我慢慢研究口說語音的變化,透過外師的幫助,我的口說和聽力都變好了!:)
我的影片課程,是我對於英文教學的熱情與成果,我的目標並不是幫助你發音跟美國人一樣,我自己也做不到,因為區域性的口音就不同,每個人都帶著自己母語的影響在說英文,這很棒,這是我們的identity(身分認同),不要不敢開口。我的課程目標是幫助我自己以及大家,可以輕鬆的發音。了解口語的語音變化,學習時會踏實有力量,開口說英文就會有信心!
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歡迎贊助與支持。如果觀看我的各頻道者,願意贊助、捐助我,請轉帳或匯款至我的帳號(帳號009-5109-86-006483-00;戶名:劉培元;彰化銀行東門分行;) ... ... <看更多>
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提供Not at all造句相關PTT/Dcard文章,想要了解更多get out of意思、Not at all造句有關資訊與科技文章或書籍,歡迎來數位感提供您完整相關訊息. ... <看更多>